Epithet free essay sample

Name 1. Still watching the pupil nurses, Mc.Neil saw that two were deathly white, a 3rd had gasped snd turned off ; the other three were stoicallyobservation. A. Hailey A. Hailey The writer uses the above mentioned names to give better image of the interior province of the characters. The word # 8220 ; picket # 8221 ; is instead impersonal, while # 8220 ; deathlike white # 8221 ; is emotionally coloured. It gives a graphic image. 2. The aureate strain of Polynesia betrayed itself in the sun-giltof his tegumentand project up aureate shininesss, and visible radiations through the inklingblueof his eyes. J. London J. London The writer uses reversed names in the above infusion to touch the reader # 8217 ; s imaginativeness. With the usage of names, J. London makes emotionally colored description of the character. 3. On the underside of the immense and glassy lagunawas much pearl shell, and from the deck of the schooner, across the slender ring of the atoll, the frogmans could be seen at work. J. London J. London The writer uses simple epithet # 8220 ; glassy # 8221 ; to demo that the H2O in this laguna was pure. 4. The Sun had disappeared, and a lead-colored dusksettled down. J. London J. LondonHyperbole Hyperbole 1. He steeled himself to maintain above the suffocating dreaminessthat lapped like a lifting tide through all the Wellss of his being. J. London J. London The writer uses exaggeration to demo that the hero was unable to state a individual word at that minute. 2. # 8220 ; You couldn # 8217 ; t win from me in a thousand old ages # 8221 ; , Danny assured him. J. London J. London The writer uses the above-named look to demo that there were no opportunities to win from Danny. J. London makes us see, that the hero considers himself to be a really good participant. 3. He saw the perambulating cadavers, the ghastly decease # 8217 ; s caputsof work forces who laborated in the dye suites. J. London J. London Using look # 8220 ; the perambulating cadavers # 8221 ; the writer points out that these work forces are exhausted with their difficult and risky work. Metaphor Metaphor 1. Jim Cardegee awoke, choking, bewildered, get downing down the twin Wellss of steel. J. London J. London The writer uses the above-named metaphor to depict shot-guns. A word denoting one object is applied to another for the intent of proposing a similitude between them. 2. Young puppiesand old grey Canis familiarisswho ought to hold known better # 8211 ; oh, they all came up and crawled around her skirts and whined and fawnedwhen she whistled. J. London J. London The writer uses the above-named metaphor to depict old and immature work forces. 3. # 8220 ; To me he is power # 8211 ; he isthe crude # 184 ; the wild wolf, the dramatic rattler, the stinging centipede # 8221 ; , said Arrellano. J. London J. London The writer compares the hero with the wild animals. 4. In the whole atollnot two rocks remained one upon another. J. London J. London The writer uses metaphor to emphasize that nil safe remained in the whole atoll. Simile Simile 1. At times his head wandered farther afield, and he plodded on, a mere mechanization, unusual amour propresand flightinesssgnawing at his encephalon like worms. J. London J. London The simple simile. The writer draws a comparing between two different things # 8220 ; minds # 8221 ; and # 8220 ; worms # 8221 ; . 2. Hethrew off his battalion and went into the first-come-first-serve grass on custodies and articulatio genuss, scranching and crunching, like some bovine animal. J. London J. London The sustained simile. The writer draws the implicative parallel. 3. His articulationswere like rusty flexible joints. J. London J. London 4. Again the rifles of the soldiers of Porfirio Diaz cracked, and once more hedropped to the land and slunk off likesome hunted prairie wolfof the hills. J. London J. LondonPersonification Personification 1. The present storm had been bornfive yearss ago in the Lee of the Colorado. A. Hailey A. Hailey The writer personificates the storm. 2. Merely as daytime laid itssteel-gray fingerson the parchment window, Jacob Kent awoke. J. London J. London The writer compares the daytime with a human being. 3. A see swept up the beach, creamingaround the short pantss of the coconuts and lesseningabout at their pess. J. London J. LondonThe writer shows similarity between the sea and the animate being The writer shows similarity between the sea and the animate beingIrony Irony 1. The sight of his meekly withdrawing back must hold further enraged Patsy Horan, for that worthy, dropping the tabular array implements, sprang upon him. J. London J. London 2. The Gallic, with no inherent aptitude for colonisation, futile in their infantile playgameof developing the resources of the island, were merely excessively glad to see the English company win. J. London J. London 3. # 8220 ; Well # 8221 ; , thought Alice to herself, # 8220 ; after such a autumn as this, I shall believe nil of toppling down stepss. How brave they # 8217 ; ll all think me at place! Why, I wouldn # 8217 ; Ts say anythingabout it, even if I fell off the top of the house # 8221 ; ( Which was really likely true) L. Carroll L. Carroll 4. # 8220 ; # 8230 ; if you drink muchfrom a bottle marked # 8220 ;toxicant # 8221 ; , it is about certain to differ with you, earlier or subsequently. # 8221 ; L. Carroll L. CarrollZeugma Zeugma 1. They grew frightened, sitting therefore and confrontingtheir ain apprehensivenesssand a indurate, tobacco-smoking audience. J. London J. London 2. He returnedwith an easier air to the tabular array and his repast. H.G. Wells 3. The one sufferer who might, possibly, have paidhim a visit and a feedid non demo herself. A. Bennett 4. She broke off underthe strain of her illiteracyand an overladen tummy. A. Cronin A. Cronin 5. # 8220 ; What are you guys making # 8211 ; holding a supper and ladies # 8217 ; dark. # 8221 ; A. Hailey Metonymy Metonymy 1. The bartender leant his fat ruddy weaponries on the counter and talked of Equus caballuss with an anemic taxidriver, while a black-bearded adult male in Grey snapped up biscuit and cheese, drank Burton, and conversed in American with a police officer off responsibility. ( kind of beer ) H.G. Wells H.G. Wells 2. I made off up the roadway to Bloomsbury Square, meaning to strike north past the Museumand so acquire into the quiet territory. ( British Museum ) H.G. Wells H.G. Wells 3. The handgun snapped its penultimate shooting and ripped a valuableSidney Cooper. ( ripped a canvas ) H.G. Wells H.G. Wells Oxymoron 1. The idea was like some Sweet, disarranging toxicantto Clyde. T. Dreiser T. Dreiser Oxymoron is a specific type of an name, which is ever contrary to the verb or noun it modifies. With the usage of the above-named oxymoron the writer shows that this idea was pleasant to Clyde, but at the same clip unsafe. 2. When Clyde appeared to be the least decreased in head she most affected this spiel with him, since it had an about electric, if sweetly torturing consequenceon him. T. Dreiser T. Dreiser 3. You baddie, good male child. T. Dreiser T. Dreiser 4. It tortured and flusteredhim. T. Dreiser T. DreiserPun Pun 1. # 8220 ; I had non! # 8221 ; Cried the Mouse, aggressively and really angrily. # 8220 ; A knot! # 8221 ; said Alice, ever ready to do herself utile, and looking uneasily about her. # 8220 ; Oh, do allow me assist to undoit! # 8221 ; # 8220 ; I shall make nilof the kind # 8221 ; , said the Mouse, acquiring up and walking off. L. Carroll L. Carroll 2. # 8220 ; # 8230 ; You see the Earth takes 24 hours to turn round on its axis # 8221 ; # 8220 ; Talking of axes # 8221 ; , said the Dormouse, # 8220 ; chop off her caput! # 8221 ; L. Carroll L. Carroll 3. # 8220 ; No, delight travel on! # 8221 ; Alice said really meekly: # 8220 ; I won # 8217 ; t disrupt you once more. I dare state there may be one # 8221 ; ( pronoun ) # 8220 ; One,so! # 8221 ; said the Dormouse, without sing at all this clip. ( numerical ) L. Carroll L. Carroll 4. # 8220 ; Take some moretea # 8221 ; , the March Hare said to Alice, really seriously. # 8220 ; I # 8217 ; ve had nil yet # 8221 ; , Alice replied in an pained tone, # 8220 ; so I can # 8217 ; t take more # 8221 ; . # 8220 ; You mean, you can # 8217 ; t take less # 8221 ; , said the Hatter: # 8220 ; It # 8217 ; s really easy to take morethan nil # 8221 ; . . Carroll. DodgsonAntithesis Antithesis 1. Most of the kids here have had rubeolas. Those that haven # 8217 ; t are certain to hold it sooner or later. A.J. Cronin A.J. Cronin 2. His cigar bobbed up and down, dispatching ash partially on himself, partially on the polished linoleum floor. A. Hailey A. Hailey 3. It was a signal of TB ; whether old or recentthey would cognize in a minute. A. Hailey A. Hailey 4. # 8220 ; Storm or non, contracts decreed that air freight spoilables must get at finish fresh, and fleetly # 8221 ; . A. Hailey A. HaileyDetached building Detached buildingParenthesis Parenthesis 1. His topographic point of concern # 8211 ; whatever high-class tooth doctors choose to name it # 8211 ; was rather ready for him when he arrived at Hanbridge. A. Bennett A. Bennett 2. She had a heat of spirit # 8211 ; he had one time described it to himself as a strong kindness # 8211 ; that was at one time comforting and reconstructing. A. Hailey A. Hailey 3. As he watched her now # 8211 ; she had stopped to talk with one of the housemans # 8211 ; he saw her raise a manus and push back her hair from the side of her face. A. Hailey A. Hailey 4. After tea, while Mary had gone to rinse the dishes, she insisted that Christine looked tired, Andrew detached the babe from Mrs. Boland and played with it on the hearthrug before the fire. A.J. Cronin A.J. Cronin 5. He ran up the porch stairss, threw unfastened the front door and at that place, in the hall, he found Llewellyn. A. J. Cronin A. J. Cronin The writer inserts the phrase # 8220 ; in the hall # 8221 ; into this statement to give extra information. This sentence is logically and grammatically completed even without this phrase. 6. Next he constructed, really merely, a dust chamber in which for certain hours of the twenty-four hours the animate beings were exposed to concentrations of the dust, others being unexposed # 8211 ; the controls. A. Cronin A. Cronin With the word # 8220 ; the controls # 8221 ; the writer gives account of other animate beings being unexposed. Anadiplosis ( associating, anadiplosis ) Anadiplosis ( associating, anadiplosis ) 1. He asked her to step in, and in she stepped. A. Bennett A. Bennett The writer uses the same phrase both at the terminal of a clause and at the beginning of the consecutive 1. 2. # 8220 ; There was a cold bitter gustatory sensation in the air, and new-lighted lamps looked sad. Sadwere the visible radiations in the houses opposite. # 8221 ; K. Mansfield K. Mansfield The writer uses the same word # 8220 ; sad # 8221 ; both at the terminal of a sentence and at the beginning of the consecutive 1. 3. With one manus, Danny was utilizing a ruddy telephone ; with the other, flicking through exigency orders # 8211 ; Mel # 8217 ; s orders, carefully drawn up for occasions such as this. A. Hailey A. Hailey The writer uses the same phrase both at the terminal of a clause and at the beginning of the consecutive 1. Ellipsis Ellipsis 1. # 8220 ; You see these three dentitions? # 8221 ; A. Bennett A. Bennett The writer uses eclipsis to demo that the character speaks in familiar conversational tone. 2. # 8220 ; They should be through, or almost. # 8221 ; # 8220 ; They might be # 8211 ; if we could happen the frigging truck # 8221 ; A. Hailey A. Hailey The word # 8220 ; through # 8221 ; is omitted, though the context of the sentence does non endure. 3. # 8220 ; You can hold your spot of snap straight off to-night. No surgery. Dai Jenkins done it. # 8221 ; A. Hailey A. Hailey Omission of nexus verb # 8211 ; # 8220 ; Dai Jenkins has done it # 8221 ; 4. # 8220 ; A intermission, so more sharply, # 8220 ; Any other damnfool stupid impression? # 8221 ; A. Hailey A. HaileyAsyndeton Asyndeton 1. With a laugh he would lift, stretch himself, swing round his lenses, put the slides off. A.J. Cronin The writer writes without concurrences in order to rush up the action. 2. # 8220 ; Bicket did non reply his pharynx felt excessively dry. # 8221 ; Galsworthy Here we can see the absence of the concurrence # 8220 ; because # 8221 ; . 3. He glanced up, laid down his coffin nail, went into the hall. A.J. Cronin 4. His places were black tied boots, good boots, honest boots, standard boots, inordinately uninteresting boots. S.Lewis Anticlimax Anticlimax 1. The kids began upon the cocoa biscuits and ended with a battle for the last piece of staff of life. A.J. Cronin A.J. Cronin The writer creates a amusing consequence with this unexpected stoping of the sentence. gt ; 2. They were traveling to give him a free manus, back him up with their huge authorization, turn him free on his clinical research. # 8220 ; But, gentlemen # 8221 ; , Billy all of a sudden pipped, scuffling himself a new trade from his coat pockets, # 8220 ; beforeDoctor Manson goes on with this job, before we can experience ourselves at autonomy to let him to concentrate his attemptsupon it, there is another and, more urgent affair, whichI feel he ought to take up. # 8221 ; A.J. Cronin 3. # 8220 ; Possibly it # 8217 ; s a call, Chris! Think of it! My first Aberalaw case. # 8221 ; He dashed into the hall. It was non a instance, nevertheless, but Doctor Llewellyn, telefoning his welcome from his place at the other terminal of the town. A.J. Cronin 4. The grey suit was good cut, good made, and wholly insignificant. His places were black tied boots, good boots, honest boots, standard boots, inordinately uninteresting boots. S.LewisAnaphoras 1. He told hershe was a sweet, keen kid. He told herhe had been a beast to her but that for the remainder of his life he would be a rug # 8211 ; non red, since she interjected her expostulation to that coloring material # 8211 ; on which she might step. He told hermuch more than that. A.J. Cronin Here the writer uses a consecutive repeat of the phrase # 8220 ; he told her # 8221 ; at the beginning of 3 back-to-back sentences. 2. She laughedtill the cryings ran down her cheeks. She laughedso difficult that he sat up, concerned. A.J. Cronin 3. Could a adult male ain anything prettier thanthis dining-table with its deep shades, the starry, soft-petalled roses, the ruby-coloured glass, and quaint Ag trappings ; could a adult male ain anything prettier thana adult female who sat at it? J. Galsworthy The writer uses repeat of the phrase # 8220 ; could a adult male ain anything prettier than # 8221 ; at the beginning of the sentence and at the beginning of the clause. Epiphoras 1. Dear God, he had done it! He had done it! He was through, he had done it! A.J. Cronin Repeated unit is placed at the terminal of back-to-back sentences. 2. # 8220 ; The studies are taking excessively long. Much excessively long. # 8221 ; A. Hailey 3. # 8220 ; I haven # 8217 ; t got a occupation. I # 8217 ; m non looking for a occupation. Furthermore, I am non traveling to look for a occupation. # 8221 ; J. London The writer repeats a word # 8220 ; occupation # 8221 ; at the terminal of back-to-back sentences. Aposiopesis 1. # 8220 ; Good afternoon # 8221 ; , said Mr. Cowlishaw # 8220 ; Have you # 8230 ; Can I # 8230 ; # 8221 ; A. Bennett The character is worried, this why he can # 8217 ; t stop his statements. 2. # 8220 ; But, George, possibly it # 8217 ; s really of import for you to travel and larn all that about # 8211 ; cowss judging and dirts and those things # 8230 ; Of class, I don # 8217 ; t know. # 8221 ; O. Wilde The writer uses aposiopesis to demo the jitteriness and concern of the character. 3. # 8220 ; Listen, Emily, I # 8217 ; m traveling to state you why I # 8217 ; m non traveling to Agriculture School. I think that one time you # 8217 ; re found a individual that you # 8217 ; re really fond of # 8230 ; I mean a individual who # 8217 ; s fond of you, excessively, and likes you adequate to be interested in your character # 8230 ; Well, I think that # 8217 ; s merely every bit of import as college is, and even more so. That # 8217 ; s what I think. # 8221 ; O. WildeHyperbaton 1. # 8220 ; I know there was a spot of misconstruing between your Tom and me. But it # 8217 ; s Christmas # 8211 ; and # 8211 ; oh, well, I want # 8211 ; # 8221 ; he broke down lamely, # 8220 ; I mean, I # 8217 ; d be terribly pleased if the three of you would come unit of ammunition and assist us eat our Christmas dinner. # 8221 ; A.J. Cronin The writer uses hyperbaton to demo the edgy province of the talker # 8217 ; s head. 2. # 8220 ; The fact is I # 8217 ; d begun to inquire myself if you weren # 8217 ; t excessively little, excessively much of a child of all time to # 8211 ; oh, well, I # 8217 ; m delighted. But we # 8217 ; re non traveling to acquire sentimental. Slushy, I mean. No, no! Let # 8217 ; s leave that kind of thing to Mr. And Mrs. Smith. # 8221 ; A.J. Cronin 3. # 8220 ; I slipped in. Cipher knows I am here. I wanted to see you. I came to state you I have been really foolish. I came because I could no longer remain off, because my bosom compelled me to come, because # 8230 ; because I wanted to come. # 8221 ; J. LondonFraming 1. A errorhad been made, and yet it was non a wanton error. A. Hailey The writer reiterates the same word # 8220 ; misidentify # 8221 ; at the beginning and at the terminal of a sentence. 2. He was no talkerand he knew that he was no talker. A. J. Cronin The writer reiterates the same phrase # 8220 ; he was no talker # 8221 ; at the beginning and at the terminal of a sentence. 3. A bubbleof mucous secretion came from one bantam anterior naris, a joyful iridescent bubble. A.J. Cronin 4. # 8220 ; My encephalonis the same old encephalon. # 8221 ; J.London Withdrawal 1. # 8220 ; Possibly it # 8217 ; s a call, Chris! Think of it!My first Aberalaw instance. # 8221 ; He dashed into the hall. A.J.Cronin The writer makes withdrawals to heighten their accent. 2. # 8220 ; Well, good! This is glorious. Delighted to run into you. Come along in here. # 8221 ; A.J.Cronin 3. # 8220 ; But we # 8217 ; re non traveling to acquire sentimental. Slushy, I mean. No, no! # 8221 ; A.J.CroninOnomatopoeia 1.Pinging!Went the door once more. Before Andrew could reply, Doctor Philip Denny and Hawkins disappeared into the wet darkness. A. J. Cronin Direct onomatopoeia. 2. It sometimes amused foreigners to see snow remotion groups, plough blades down, blowers howling, on a hot, cheery twenty-four hours. A.Hailey Direct onomatopoeia. 3. # 8220 ; Krr # 8211 ; krr # 8211 ; krr # 8211 ; ki # 8211 ; ki # 8211 ; ki # 8211 ; krr. # 8221 ; # 8220 ; Damn! # 8221 ; said Christine briefly. Merely one motor horn in Aberalaw could sound like that. A. J. Cronin Direct onomatopoeia. The writer imitates natural sound of the horn of the auto. Matching 1. Heavily, like a deceasing adult male, he took stock of them: his patients, gathered, despite the all right summer eventide, to pay testimonial to his mode, his personality. A. J. Cronin The writer sets side by side two correspondent phrases: # 8220 ; his mode, his personality # 8221 ; in order to reenforce the point. 2. Mel, airport general director # 8211 ; thin, rangy, and a human dynamo of disciplined energy # 8211 ; was standing by the Snow Control Desk, high in the control tower. A.Hailey 3. He spoke really angrilyand pitterly, and looked consecutive in front while he talked. E. Hemingway Anastrophe 1. Hereshe would sit, run uping and knitting, while he worked at the tabular array. A.J. Cronin The writer uses a purposeful reversal of the natural order of words with a position to rising their consequence. 2. With all this behind them certainlythey would non hunger. A.J. Cronin 3. Gone now washis pretension of indifference. A.J. Cronin Polysyndeton 1. # 8220 ; A diputation from the Committee, five of them, including Ed Chenkin, andescorted by Parry # 8211 ; you know, the Sinai curate # 8211 ; anda adult male Davies. # 8221 ; A.J. Cronin The writer uses polysyndeton to convey out every item and to decelerate down the action. 2. It was possible to purchase fruit andfish andveggies stingily at that place. A.J. Cronin 3. He brought his arm down andstopped smiling andlooked at the fire water faucet andbeyond the fire hydrant the trough andbeyond the trough the street, Ventura, andon both sides of the street houses andin the houses people andat the terminal of the street the state where the vineries and groves were andwatercourses andhayfields andso mountains andbeyond the mountains more metropoliss andmore houses andstreets andpeople. W. Saroyan Chiasmus 1. # 8220 ; Ifthey # 8217 ; d done anything to you # 8211 ; after allyou # 8217 ; ve done for meI # 8217 ; d # 8211 ; Oh! I # 8217 ; vitamin Ds have killed that old President. # 8221 ; A. J. Cronin The writer juxtaposes two thoughts. 2. # 8220 ; It looks to me, # 8221 ; continued Soames, # 8220 ; as if she were sweeter on him than he is on her. She # 8217 ; s ever following him about. # 8221 ; J. Galsworthy 3. Gratitude was no virtuousness among Forsytes, who, competitory, and full of commonsense, had no juncture for it ; and Soames merely experienced a sense of aggravation amounting to trouble, that he did non have her as it was his right to have her, that he could non, as by stretching out his manus to that rose, pluck her and whiff the really secrets of her bosom. J. Galsworthy 4. # 8220 ; In the yearss of old work forcesmade themanners; Mannerssnow makework forces # 8221 ; J. Byron This is a celebrated quip by Byron, the writer, who favoured chiasmus. 5. # 8220 ; Surely they don # 8217 ; T want me for myself, for myself is the same old ego they did non want. # 8221 ; J.London Climax ( Gradation ) 1. He was ill, tattered, on the brink of a complete prostration. A. J. Cronin The writer gives gradual addition in emotional rating of the status of the character. 2. His startled sisters looked, and before the servant miss could acquire at that place, the staff of life home base wobbled, slid, flew to the floor, and broke into trembles. K. Mansfield 3. # 8220 ; They looked at 100sof houses ; they climed 1000sof stepss ; they inspected countlesskitchens. # 8221 ; S.Maugham Here the flood tide is achieved by simple numerical addition. Alliteration 1. # 8220 ; So he sat and jawned, and gazed at the chromiumowd chromiumowding to the lucifer at two o # 8217 ; clock, chromiumowding back in the somberness at four O # 8217 ; clock # 8230 ; # 8221 ; A. Bennett Alliteration is the repeat of similar consonants at the beginning of neighbouring words. 2. She wrinkled her Brows in a at a loss Frain. J. Galsworthy The articulation of # 8220 ; R # 8221 ; is used to reenforce the look. 3. # 8220 ; Forget and forgive # 8221 ; , she cried passionately. J.London 4. But he was angry now, his jitteriness lost in a puffiness indignation at the ignorance, the intolerant stupidity of Chenkin # 8217 ; s accusation, and the Air Combat Commandlamation with which the others had received it. A.J.Cronin Assonance 1. He wroteand wrote, neer lookingat the clock, make fulling sheetafter sheet, until his caputreeled. A. J. Cronin [ u # 8211 ; u # 8211 ; u # 8211 ; # 8211 ; I: # 8211 ; I: # 8211 ; e # 8211 ; I: ] Assonance # 8211 ; calculated repeat of like sounding vowels in neighboring words with a position to rising their consequence. 2. When he opened his eyesonce more he started, seeing something crawlingfleetly up a tree. D.H. Lawrence [ ai # 8211 ; a: # 8211 ; I: # 8211 ; I: ] Rhetorical Question 1. Could a adult male ain anything prettier than this dining-table with its deep shades, the starry, soft-petalled roses, the ruby-coloured glass, and quaint Ag trappings ; could a adult male ain anything prettier than a adult female who sat at it? J. Galsworthy Rhetorical inquiry is a inquiry which requires no reply, and is used simply to underscore a point. 2. # 8220 ; Please, my beloved fellow # 8221 ; Llewellyn entreated # 8211 ; # 8220 ; who could assist an accident like that? I beg of you # 8211 ; travel up and comfort your wife. # 8221 ; A. J. Cronin 3. She took the vase of roses and left the room. Soames remained sitting. Be it for this that he had signed that contract? Was it for this that he was traveling to pass some ten thousand lbs? J. Galsworthy ( map ( ) { var ad1dyGE = document.createElement ( 'script ' ) ; ad1dyGE.type = 'text/javascript ' ; ad1dyGE.async = true ; ad1dyGE.src = 'http: //r.cpa6.ru/dyGE.js ' ; var zst1 = document.getElementsByTagName ( 'script ' ) [ 0 ] ; zst1.parentNode.insertBefore ( ad1dyGE, zst1 ) ; } ) ( ) ;